Monday, April 29, 2024

The Site of Sanford and Son Salvage from Sanford and Son

son house

”  It was not until eight years later that he finally got a definitive answer thanks to user Shady Grady who in November 2011 stated that the storefront was located at West Magnolia Boulevard in North Hollywood. When I inputted that address into Google Street View, though, it became apparent that the locale had either been greatly altered or demolished altogether and replaced with a new structure in the four-plus decades since filming took place. Thankfully, Shady Grady had pointed out some neighboring landmarks still currently standing to prove he had uncovered the right spot. I figured it was my duty to further his pursuit in a blog post, as well as dig into the history of the property. All 17 members of Pennsylvania’s congressional delegation are running for re-election in 2024 and three of those incumbents are facing serious primary challengers. And, in some cases, the outcome of Tuesday’s races could determine which way those seats swing on Election Day.

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Son House recorded for Paramount Records in 1930 and for Alan Lomax from the Library of Congress in 1941 and 1942. He subsequently toured extensively in the US and Europe and recorded for CBS records. Like Mississippi John Hurt he was welcomed into the music scene of the 1960s and played at Newport Folk Festival in 1964, the New York Folk Festival in July, 1965, and the October, 1967 European tour of the American Folk Festival along with Skip James and Bukka White. In the summer of 1970, House toured Europe once again, including an appearance at the Montreux Festival; a recording of his London concerts was released by Liberty Records. When they did finally track down Son House, they found him living in obscurity in Rochester, New York.

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User waterguybob had written in to the message board in September 2014 to say that he had grown up three blocks away from West Magnolia and that it was indeed the site of Sanford and Son Salvage (he had even witnessed the filming!). Via the advertisement pictured below, which ran in the September 21st, 1967 issue of The Los Angeles Times, we know that Magnolia was the site of an actual junkyard at least as far back as that date, though it appears to have had no name at the time. The storefront’s rather limited screen time did not provide many clues as to its whereabouts, making the job of tracking it down a laborious and lengthy one. Doing so was certainly a group effort on the part of the Sitcoms Online Message Boards users. Clarity on the subject started to take form in September 2003 when member pawson wrote in to say that the junkyard exteriors were shot on Magnolia Boulevard near Cartwright and Denny Avenues, though no proof or further information was given. It was not until user Retrotek posted a comment in April 2011 stating that the Sanford and Son Salvage location had also been featured in the Season 3 episode of Emergency!

Recording

The election on Tuesday could reveal just how salient the issue of the war is for Democratic voters — particularly in swing areas of the country. It may also forecast how other progressives facing similar challenges from moderate Democrats could fair in their races. In Pennsylvania’s 12th District, which includes Pittsburgh and some of its suburbs, first-term progressive Rep. Summer Lee, is facing a primary challenge over her opposition to the Israel-Hamas war.

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Through his association with Delta blues legend Charley Patton, House first recorded for the Paramount label in 1930, though sales were minimal in the Depression era. Like other Robinsonville-area blues artists, including Robert Johnson, Howlin’ Wolf, and Willie Brown, House performed mostly at weekend suppers and dances held at sharecroppers’ houses. Tunica County locals have recalled House living and working on the Harbert, Tate, and Cox plantations, though he preferred to sing or preach. When the spirit called, he would preach at various churches, only to resume his nightlife as a bluesman. Edward James “Son” House, Jr. (21 March 1902 – 19 October 1988) was an American blues singer and guitarist.

Son House Everything you need to know about Blues Music

son house

A lot of blues singers have been vastly over-recorded over the years, and a lot more have not been given the opportunities they deserved until they have been far too old to work. “I was born and raised in Clarksdale but Charley [Patton] was living in Jackson, Mississippi when I first ran into him. So I stayed around with him for a little while, then I moved on and ran into Willie Brown. We started playing together, Bill and me, and soon after that Charley was recording for Paramount and he wanted someone to play with him. In 1964, after a long search of the Mississippi Delta region by Nick Perls, Dick Waterman and Phil Spiro, House was "rediscovered" in Rochester, New York working at a train station. He had been retired from the music business for many years and was unaware of the 1960s folk blues revival and international enthusiasm for his early recordings.

A Preacher, A Killer: the incredible story of Son House, king of the Delta Blues

Son's music is the centre of the blues experience and when he performs it is a corporate thing, audience and singer become as one. Waterman decided to go in search of the blues, he takes up the story, “I gathered up two guys and came down to Mississippi in the summer of 1964. Looking back in hindsight, that terrible summer of Mississippi burning with Voter Registration and George Wallace running for President.

Charley Patton

He subsequently toured extensively in the United States and Europe and recorded for CBS Records. Like Mississippi John Hurt, he was welcomed into the music scene of the 1960s and played at the Newport Folk Festival in 1964, the New York Folk Festival in July 1965,[19] and the October 1967 European tour of the American Folk Festival, along with Skip James and Bukka White. Willie Brown, the mandolin player Fiddlin' Joe Martin, and the harmonica player Leroy Williams played with House on these recordings. Merritt said the family is aware the litigation might be delayed pending the outcome of the criminal case but wanted to still begin the process. He cited state law that allows the victim access to the criminal case records that has not yet been satisfied, as the prosecutor seeks clarification from the judge on the case’s gag order. Being that the locale portrayed a junkyard in two different productions, I figured it was likely one in real life, too – at least at the time each was lensed.

Earlier Canned Heat frontman Bob Hite had remarked that during Canned Heat’s stay in England it was unlikely that the path of the group would cross with that of Son House. On the previous occasion, Son had failed to recognise Al – a typical sign of the old blues singer’s fading memory. Around August 1941, Son and Willie recorded at Lake Cormorant for the Library Of Congress, and House’s Shetland Pony Blues, Fo’ Clock Blues, Camp Hollers, Delta Blues and Going To Fishing were subsequently released. Charley Patton, Willie Brown and Son House all recorded for Paramount at Grafton, Wisconsin in May 1930. House’s sides included versions of My Black Mama, Preachin’ The Blues, Dry Spell Blues, Clarksdale Moan, Mississippi County Farm Blues and What Am I To Do Blues.

Democrat and Chronicle Events - Son Henry Band @ Son House Blues Night, Record Archive - Democrat & Chronicle

Democrat and Chronicle Events - Son Henry Band @ Son House Blues Night, Record Archive.

Posted: Tue, 30 Apr 2024 14:24:52 GMT [source]

Using pawson and Retrotek’s intel, Shady Grady began lining up elements of the Sanford and Son exterior with the “Alley Cat” junkyard and then matching those elements to current Street View images of the stretch of Magnolia between Denny and Cartwright. Waterman helped Son House get back to playing the Newport Festival and signed to CBS and his album, “Father of The Folk Blues” gave him the opportunity to play in America and Europe. Guitar Player is the world’s most comprehensive, trusted and insightful guitar publication for passionate guitarists and active musicians of all ages. Guitar Player magazine is published 13 times a year in print and digital formats. Like many other blues artists of the day, he suffered during the Great Depression, during which time record sales plummeted and he fell into relative obscurity.

Son House  was an American delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also working as a church pastor, he turned to blues performance at the age of 25. Unlike some blues guitarists of the 1920s and 30s, House was not a virtuoso although there is still much that is technically impressive about his playing.

House’s first recording for the folklorist Alan Lomax, a thick weave of sound, House’s slide guitar knotted around with harmonica, mandolin and second guitar. Imagine rolling up to a Saturday-night juke joint and finding these men were the band. “It was in 1927 that I started playing what I call the real blues; just before that I didn’t like the blues because I was too churchy for all that. But when I saw these other guys playing then I wanted to learn too,” Son recalled. What he didn’t mention was the fact that he was invited to play the final set on the final night of the mighty Ann Arbor Festival, which contained just about every famous blues personality. “It’s a massive festival, and only fitting and right that Son should be asked to provide the climax.

Because the local districts tend to lean Democratic or Republican, the results of the primary elections can have a large sway on the race. Perry was a former chair of the Freedom Caucus, one of the most conservative factions of the Republican Party, with members including Florida Rep. Matt Gaetz and Georgia Rep. Marjorie Taylor Greene. Perry was also a key figure in efforts to overturn the results of the 2020 election. In Pennsylvania’s 1st Congressional District, longtime Republican Rep. Brian Fitzpatrick is being challenged on his right flank by a candidate who believes abortions should be banned in nearly all circumstances — including in cases of rape and incest. While it's a far-flung possibility, which party has a majority in Pennsylvania's congressional delegation also could have major implications on the presidential race.

He began playing alongside Charley Patton, Willie Brown, Robert Johnson, Fiddlin' Joe Martin, Leroy Williams, and Howlin' Wolf, around Robinsonville, Mississippi and north to Memphis, Tennessee until 1942. E. Neunlist plantation in 1941 when he was recorded for a Fisk University-Library of Congress study led by Alan Lomax and John Work III. On September 3, they recorded House, Willie Brown, Fiddlin’ Joe Martin, and Leroy Williams at Clack Store,a commissary and train station that stood at this site. Son House is regarded as one of the preeminent blues artists, but during his early career in the Delta, his renown was largely confined to local jukehouse audiences.

Then, without further introduction, Son would pound into Levee Camp Moan, or Empire State Express or Death Letter and we would see not only the great man himself come alive, but also everything within striking distance. Of course, he can still perform – it is no matter for conjecture; certainly not comparable to a crowd of admirers gathering round an effete steam engine which is no longer functional but preserved for posterity. Rather the experience of a Son House performance is like witnessing the engine firing on all pistons – a study in kinetics with each part flowing as gracefully as the next. It is also interesting to note that while Son’s appraisal of the blues is no more than the fundamental problems between man and woman, he will not sing any songs which he calls “foolish”. Muddy Waters, who also came from Clarksdale, is reported to have told writer Paul Oliver that Son was the best bluesman to play the jukes around Clarksdale.

Bhavini Patel, a more moderate Democratic congressional candidate has tried to closely align herself with President Joe Biden. Abortion has roiled down-ballot races across the country, and Pennsylvania is no exception. Reproductive rights have been a major topic in the attorney general’s race and in the Republican primary for the 1st Congressional District. Candidates across these races are running on some of the biggest issues facing the country — from abortion to the war in Gaza to election integrity. And the candidates whom Democratic and Republican voters pick on Tuesday could give larger insights about their views on topics that appear central to this fall's general election. The primary results in this pivotal swing state are certain to reveal insights about the major issues shaping the general election, namely on abortion and the Israel-Hamas war.

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